reblogged via jackinthepocket
Vogue Netherlands, May 2012 (+) photographers: Petrovsky & Ramone Rianne ten Haken

Vogue Netherlands, May 2012 (+)
photographers: Petrovsky & Ramone
Rianne ten Haken

Vogue Netherlands, May 2012 (+) photographers: Petrovsky & Ramone Rianne ten Haken

Vogue Netherlands, May 2012 (+)
photographers: Petrovsky & Ramone
Rianne ten Haken

Vogue Netherlands, May 2012 (+) photographers: Petrovsky & Ramone Rianne ten Haken

Vogue Netherlands, May 2012 (+)
photographers: Petrovsky & Ramone
Rianne ten Haken

Plaza Kvinna, May 2012 (+) photographer: Jaclyn Adams Annabella Barber

Plaza Kvinna, May 2012 (+)
photographer: Jaclyn Adams
Annabella Barber

Plaza Kvinna, May 2012 (+) photographer: Jaclyn Adams Annabella Barber

Plaza Kvinna, May 2012 (+)
photographer: Jaclyn Adams
Annabella Barber

Plaza Kvinna, May 2012 (+) photographer: Jaclyn Adams Annabella Barber
// lexestrex:seriouswapanese

Plaza Kvinna, May 2012 (+)
photographer: Jaclyn Adams
Annabella Barber

// lexestrex:seriouswapanese

reblogged via lexestrex
Vivienne Westwood, Spring 1994 Nadja Auermann
// zetus-lupetus:gethecool

Vivienne Westwood, Spring 1994 
Nadja Auermann

// zetus-lupetus:gethecool

(Source: bosconos)

reblogged via zetus-lupetus

Wes Anderson’s movies hold special places in my heart. The Royal Tenenbaums was the first movie that I consciously picked and watched in theaters in my grown-up-movie era (high school). I was an instant WA-disciple— quotes, theme parties, you name it.

// theatlantic:jhermann:strangewood

reblogged via theatlantic
“Point of Contact” (+)  Madame Figaro, March 2012  photographer: Nico  Heather Marks

“Point of Contact” (+)
Madame Figaro, March 2012 
photographer: Nico
Heather Marks

“Point of Contact” (+)  Madame Figaro, March 2012  photographer: Nico  Heather Marks

“Point of Contact” (+)
Madame Figaro, March 2012 
photographer: Nico
Heather Marks