Rolling Stone Russia, November 2004 photographer: Mario Sorrenti Andre 3000, Kate Moss
This has all the makings of a Sofia Coppola movie.

Rolling Stone Russia, November 2004 
photographer: Mario Sorrenti
Andre 3000, Kate Moss

This has all the makings of a Sofia Coppola movie.

Souls by Lang Leav
// mmqd:langleav

Souls by Lang Leav

// mmqd:langleav

reblogged via mmqd
I really like that idea, Alice.
// alicefine:



I think it would be cool to have clothing with braille in intimate places (the inside of a cuff or collar, on the inside of a pocket, across the ribs, inside the hem, etc) that revealed text that was close to your heart- only the people you chose to let in to that part of you life and personal space would be invited to know what that text meant. or not. that’s the beauty of personal things.





/ nattrozanska



text reads: this doesn’t compare to the feel of your skin

I really like that idea, Alice.

// alicefine:

I think it would be cool to have clothing with braille in intimate places (the inside of a cuff or collar, on the inside of a pocket, across the ribs, inside the hem, etc) that revealed text that was close to your heart- only the people you chose to let in to that part of you life and personal space would be invited to know what that text meant. or not. that’s the beauty of personal things.

/ nattrozanska

text reads: this doesn’t compare to the feel of your skin

reblogged via alicefine

There is only one happiness in life— to love and be loved.


— George Sand

// killerpussy:observando

There is only one happiness in life— to love and be loved.

— George Sand

// killerpussy:observando

reblogged via killerpussy
I taste her and realize I have been starving. Jodi Picoult, Sing You Home (+)

(Source: daenerysbreathesfire)

reblogged via disassociativ

I love this.

What if each of us has a designated soulmate? What if we spend our lives looking for them— sometimes, we find them, and sometimes, we don’t— and at the end of every life, we start another life and try again? Chasing the same soulmate in different bodies and eras?

I want to see this story expanded into a longer book or graphic novel. I want to see a film adaptation. I want to have discussions that no matter how good the film is, it’s not nearly as good as the book. I can already see it.

But I’d rather live it.

25 Lives by Tongari

// forget-me-notsandmarigolds:ryannxp

reblogged via forget-me-notsandmarigolds
Screw poetry, it’s you I want, your taste, rain on you, mouth on your skin. Margaret Atwood (+)
reblogged via tallskinnyasian
Oscar Lush, “A Kiss”
// disassociativ:fearlessknightsandfairytales

Oscar Lush, “A Kiss”

// disassociativ:fearlessknightsandfairytales

reblogged via disassociativ

“Don’t Tell Anyone” by Tony Hoagland (+)
from Poetry, Vol. 200, No. 4, July/August, 2012

We had been married for six or seven years
when my wife, standing in the kitchen one afternoon, told me
that she screams underwater when she swims—

that, in fact, she has been screaming for years
into the blue chlorinated water of the community pool
where she does laps every other day.

Buttering her toast, not as if she had been
concealing anything,
not as if  I should consider myself

personally the cause of  her screaming,
nor as if we should perform an act of therapy
right that minute on the kitchen table,

—casually, she told me,
and I could see her turn her square face up
to take a gulp of oxygen,

then down again into the cold wet mask of  the unconscious.
For all I know, maybe everyone is screaming
as they go through life, silently,

politely keeping the big secret
that it is not all fun
to be ripped by the crooked beak

of something called psychology,
to be dipped down
again and again into time;

that the truest, most intimate
pleasure you can sometimes find
is the wet kiss

of  your own pain.
There goes Kath, at one PM, to swim her twenty-two laps
back and forth in the community pool;

—what discipline she has!
Twenty-two laps like twenty-two pages,
that will never be read by anyone.

// tellmebirdie

reblogged via lenaofthemena-deactivated201301